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Theskeat

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Mr Stokes bends history and even recorded events to suit his purpose of promoting the gaiety as a dead museum.

 

Good examples

 

The current interior clour scheme. green material. allegedley based on some old cloth fragments found. Well all the written reports, in the local papers and in the national stage and architecture papers are unanimous, it was blue.

 

He airbrushes out of existence a partial restotration in 1978 supervised by a Mr Glasstone, an true expert which actually saved the theatre, made dry, and started restoration.

 

I could provide many other illustrations.

 

There is the truth and the myth. The book is the MRS myth.

 

In 30 years time the horrors which he has inflicted on that thetre in the name of retoration will be looked back on with total horror.

 

The limitations as to use by putting in inferior victorian recovered stage machinery at great cost when waht was needed in absence of a low paid army of victorian stage hands and in presence of 20th century H&Sw means it is difficult to stage shows properly. What was needed was a modern stage with hydraulic or electric lifts and revolves.

 

Yes we have a corsican trap, its used in one play in the entire theatrical cannon, and that play is unviewable and effectively unperformable nowadays

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Mr Stokes bends history and even recorded events to suit his purpose of promoting the gaiety as a dead museum.

 

Good examples

 

The current interior clour scheme. green material. allegedley based on some old cloth fragments found. Well all the written reports, in the local papers and in the national stage and architecture papers are unanimous, it was blue.

 

He airbrushes out of existence a partial restotration in 1978 supervised by a Mr Glasstone, an true expert which actually saved the theatre, made dry, and started restoration.

 

I could provide many other illustrations.

 

There is the truth and the myth. The book is the MRS myth.

 

In 30 years time the horrors which he has inflicted on that thetre in the name of retoration will be looked back on with total horror.

 

The limitations as to use by putting in inferior victorian recovered stage machinery at great cost when waht was needed in absence of a low paid army of victorian stage hands and in presence of 20th century H&Sw means it is difficult to stage shows properly. What was needed was a modern stage with hydraulic or electric lifts and revolves.

 

Yes we have a corsican trap, its used in one play in the entire theatrical cannon, and that play is unviewable and effectively unperformable nowadays

 

Hmmmm - and you're obviously not letting your personal feelings towards Mr Stokes influence your opinion on the restoration at all??

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